Skip to main content

Kings of the Air: 'War, German style' 2

Welcome to my 100th post!

At 7.15 am, 23 March 1918, there was an explosion in the Place de la République; a second, fifteen minutes later in the Rue Charles V; and a third, in the Boulevard de Strasbourg. No warning had been given by the listening posts to the north of Paris, and civilians and airmen alike scanned the skies in vain for German bombers. Only by reassembling the fragments did the French work out that they were dealing with artillery and not aircraft. Over the next twenty-four hours, a total of twenty-one shells landed in the city itself, and one in Châtillon. Yet such a solution seemed incredible. René Fonck (SPA103) was at the front that day. 'We received a telephone message during the afternoon telling us they were shelling Paris,' he recalled. 'The news seemed so implausible that everyone burst out laughing. I preferred to keep my own counsel. How could a gun sited more than 120 kilometres away drop a shell close to the Gare de l'Est? Everyone thought the idea quite frankly ridiculous. But then how could aircraft possibly conduct a daylight raid, pass unseen through a swarm of SPADs all positioned to stop them, and drop bombs all morning? The gun hypothesis offered the only possible explanation. Only the range remained a mystery.'

What the French referred to as 'Big Bertha' was actually two weapons, both 210mm railway-mounted cannons, based near Crépy-en-Laonnois, 121 kilometres from the capital. Sound location gave the French the approximate position of the guns, quickly confirmed by the aircraft of SPA62, commanded by François Coli. Although a nominally single-seater squadron, it had a number of two-seater SPAD 11 on strength, and these were sent on reconnaissance. 'Then we were over the Boches,' recalled Lieutenant Jean de Brettes. 'Nobody had fired at us yet. Not a good sign, it must mean there were enemy patrols around. North-east of the Saint-Gobain forest, the Germans suddenly opened up with anti-aircraft fire. The shells were all bursting at exactly my height and I had to dodge
to avoid them. My observer began taking photographs. Now we were over Crépy, the batteries still going hammer and tongs. The SPADs never left me for an instant. At one point they dived across me towards six German fighters. The [Boches] shot down one of our chaps, then headed towards Marie. Someone came spinning down. A Boche or a Frenchman? I got my answer five minutes later [when] just three SPADs followed me across our lines. I hoped our comrade had only been wounded. The mission was over: I was first to land, and as each aircraft followed we all ran over in search of news. Once we were all down, we found out the missing pilot was Lieutenant Lecoq. We later discovered he'd been the one shot down by the six Boches over our lines. He'd taken a number of hits to the body. Although our photos weren't great, they did show the exact location of the “Berthas”, so we could start correcting the fire of the guns detailed to destroy the enemy “colossi”.  
During the flight, my colleague Adjudant [Charles] Quette spotted a flash that proved to be the firing of one of the Crépy guns. A few days later, new photographs were deemed necessary to supplement the information we'd gathered during our first trip and to confirm the effects of our fire. I was picked again, with Lieutenant [Paul] Brousse as my observer. A second crew accompanied us: Adjudant Fabien Lambert (pilot) and Lieutenant [Robert] des Allées (observer). Despite adverse weather conditions, sustained and accurate anti-aircraft fire and the continual presence of enemy fighters, we got [our] new photographs.'

French counter-battery work began immediately, using the guns of 78th Heavy Artillery Regiment and the spotters of BR213, but to little avail. The site lay hidden deep within woodland and was protected by a smokescreen as well as anti-aircraft guns. According to the authorities, 367 shells landed on Paris between 23 March and 9 August 1918, the most lethal attack taking place on 29 March, when the ancient church of Saint-Gervais-et-Saint-Protais in the fourth arrondissement took a direct hit during the Good Friday service: ninety-one worshippers died and sixty-eight more were wounded. French artillery and bombers were all unable to halt the shelling, and only the allied advance during the second Battle of the Marne in July prompted the Germans to withdraw the massive guns out of range.

In terms of actual damage caused, the effect of the guns was negligible - the shells were too small for that. The real target of the guns was always intended to be French civilian morale - demonstrating that Paris was not safe even though the Germans were 75km away.

There is a bit of a mash-up of a video on YouTube here.

Pictures: one of the guns firing during its trials; one of the reconnaissance photos of Crépy-en-Laonnois, with the gun sites ringed (Albin Denis); a SPAD 11; the damage done to the church of Saint-Gervais-et-Saint-Protais (Gallica); the crews of BR213, tasked with spotting for the French batteries (from La Guerre Aérienne Illustrée)

Comments

Popular posts from this blog

Kings of the Air: A Matter of Reputation

When dealing with the history of the development of the French Air Force before and during the Great War, you cannot go far without coming across the name of Charles Tricornet de Rose. A dragoons officer, he was the first man to get his military wings. He was immediately snapped up to work at Estienne's research establishment at Vincennes, where he worked on aircraft armament (even though the Minister of War thought it a waste of time), coming to the conclusion that the gun had to placed in the nose, firing forwards. The problem was the firing through the arc of the propellor, and, with Roland Garros, he was working on a synchronizer system when war broke out. 
Garros went his own way, towards the dead end that were his deflector plates. Meanwhile, de Rose, the commander of Fifth Army's aviation, created the first all-fighter squadron, MS12, and filled it with the best pilots he could lay his hands on, including Jean Navarre. Until a viable synchronizer system was worked out,…

Sources for French military history

In something of a mood for reviews after last week's post, I dipped my pen (? or should that be keyboard?) in critic's vitriol once again, and took a look at Milindex, a searchable bibliography newly mounted on the website of the French Ministry of Defence's Centre de Doctrine d’Emploi des Forces (CDEF).
The bibliography is the work of the CDEF's Research Centre, the Ecole Militaire's Documentation Centre and an un-named university. The database includes the following older titles:
Journal des Sciences militaires (1825-1914) (available on Gallica), Revue d’artillerie (1872-1939) (available on Gallica), Revue de cavalerie (available on Gallica 1905-25),  Revue d’infanterie (1887-1939) (available on Gallica), Revue des Sciences Politiques (1911-1936) (available on Gallica),
Revue des troupes coloniales (1902-1939) Revue du géniemilitaire (1887-1959) (available on Gallica), Revue du service de l’intendance militaire(1888-1959)
Revue militaire générale (1907-1973) (available…

Ceux de 14 - the critics speak!

With the first episodes of Ceux de 14 having been broadcast on France 3 earlier this week, the critics have now had their say.
Télé-Loisirs: 'a good reconstruction of war', but overall the cast 'was rather wooden'; on the other hand Théo Frilet, as Genevoix was 'convincing'. Overall: Very Good
Télé 2 Semaines: 'convincing casting', but also thought they were 'rather wooden'. Overall: Quite Good
Télé Z: 'we lived, suffered and wept with these soldiers serving during the Great War'. Overall: Excellent
Télé Poche: 'faithful to the original book'. Overall: Good
TV Grandes Chaines: 'a bold production' with 'convincing actors'. Overall: Very Good.
Télé 7 Jours: 'the series is a noteworthy tribute to a generation that was sacrificed', played by 'outstanding actors'. Overall: Good
Télé Star: Overall: Good
So ... 'could be better' by the sound of things; but likewise, could be a lot worse (and we've s…